Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Raoul Auger (or Anger) Feuillet (c1653–c1709) was a French dance notator, publisher and choreographer most well-known today for his Choregraphie, ou l'art de d'ecrire la danse (Paris, 1700) which described Beauchamp-Feuillet notation, and his subsequent collections of ballroom and theatrical dances, which included his own choreographies as well as those of Pecour. His...
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Raoul Auger (or Anger) Feuillet (c1653–c1709) was a French dance notator, publisher and choreographer most well-known today for his Choregraphie, ou l'art de d'ecrire la danse (Paris, 1700) which described Beauchamp-Feuillet notation, and his subsequent collections of ballroom and theatrical dances, which included his own choreographies as well as those of Pecour. His Choregraphie (1700) was translated into English by John Weaver (as Orchesography. Or the Art of Dancing) and P. Siris (as The Art of Dancing), both published in 1706. Weaver also translated the Traite de la cadance from Feuillet's 1704 Recueil de dances (as A Small Treatise of Time and Cadence in Dancing, 1706). Feuillet's Recueil de contredances (1706), a collection of English country dances, was translated into English by John Essex (as For the Furthur Improvement of Dancing, 1710).
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