High Quality Content by WIKIPEDIA articles! Secondary dominant (also applied dominant) is an analytical label for a specific harmonic device, prevalent in the tonal idiom of Western music beginning in the Common Practice Period. It refers to a dominant-like function of a chromatically altered chord built on a scale degree other than the 5th of the prevailing key, with V7/V, the dominant of the dominant, "being the most frequently encountered". The chord to which a secondary dominant progresses...
High Quality Content by WIKIPEDIA articles! Secondary dominant (also applied dominant) is an analytical label for a specific harmonic device, prevalent in the tonal idiom of Western music beginning in the Common Practice Period. It refers to a dominant-like function of a chromatically altered chord built on a scale degree other than the 5th of the prevailing key, with V7/V, the dominant of the dominant, "being the most frequently encountered". The chord to which a secondary dominant progresses can be thought of as a briefly tonicized chord or pitch (tonicizations longer than a phrase are modulations). The secondary dominant terminology is still usually applied even if the chord resolution is nonfunctional (for example if V/ii is not followed by ii). The normal diatonic major scale defines six (in one view, seven) basic chords, designated with Roman numerals in ascending order.
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